‘Megalopolis’ and ‘The Brutalist’ build on Ayn Rand’s ‘Fountainhead,’ then blow up her ideas
In a stroke of simple genius, Ayn Rand laid the cornerstone of her philosophy at the feet of a master builder. 1943’s The Fountainhead introduced the world to a laconic architect named Howard Roark. A beta version of the Objectivist alpha — Rand would formalize her philosophy in the years after the novel’s publication — Roark is a man with no stomach for compromise. He designs great modernist structures and would sooner toil in a quarry or explode his own buildings than cave to the popular taste of the committees funding him. (He’s also a rapist.) In thuddingly didactic dialogue, Roark, as played by Gary Cooper in the 1949 King Vidor film, makes a case for radical selfishness. Related Ayn Rand, Worst Jewish Aunt — Ever “Everything we have, every great achievement, has come from the independent work of some independent mind,” Roark says, in his much-publicized trial . “The world is perishing from an orgy of self-sacrificing,” Roark is the prototype for ...